Organizers gave the artist a prime-time slot and professional sound equipment despite being fully aware of his radical political stance.

The performer did not hold back during his appearance,

explicitly calling for the destruction of what he called "evil, murderous American-Israhell imperialism".

The term "Israhell," a portmanteau of Israel and the English word "hell," is used by those who view the Jewish state as a "satanic entity" and wish for its total elimination. Furthermore, his calls for a "Free Iran" do not represent solidarity with civil protesters, but rather support for the "terrorist regime" that executes dissidents and launches missile attacks on its neighbors.

The response from the audience was notably enthusiastic, with the crowd echoing the anti-Zionist slogans - like "Free, free Palestine" throughout the square.

Although some individuals associated with the stage later attempted to apologize for the scandalous performance, the participants appeared largely unbothered by the rhetoric.

Additionally, other musicians performing at the event—including several Jewish artists—did not publicly signal any discomfort regarding sharing a stage and an audience with the radical rapper. This incident is noted as another example of "unacceptable symbols and messages" appearing among supporters of the opposition, the Tisza Party.